Sunday, May 15, 2011

Slowing the fastest pace possible!

>So, at work the team has been working on a new Mormon Message about slowing down and recognizing the moments in life. That's about all I can say about it, other then they wanted to shoot in in slow motion. As the guy in charge of workflow I got a little involved to figure out how we would get the files out of this specialized camera we rented and into our editing system. Well, Monday came when the camera came in and the guy was coming to train and suddenly I found myself booked on the week long (killer) shoot. I call it killer because it was booked from 8-9 everyday. Normally I wouldn't mind this and this is pretty much the norm in production, but when I wasn't prepped to be on the shoot i had to drop my weeks schedule and be ready. I became the DIT, which is the Digital Imaging Technician., who is basically responsible for some settings in the camera and offloading the footage and 'data wrangling', keeping it backed up and then transcoding it later. It was a HUGE sacrifice on my family, just dropping everything and never being home and then when I was home i was processing data. But it was a HUGE growing experience!

This camera was shooting at up to 1470fps and we never shot lower then 500fps. This required a TON of light, way for then we are used to using when shooting with out Canon 5dmkII's. Indoors we typically ran anywhere from 7k-10k of light. Needless to say we tried to shoot OUTSIDE a lot.

I want to thank my family for being patient with me during this process, but it will turn out to be an awesome message when it it all done in a month or so.

Here are some on-set picts. And below is a fun slow-motion shot we did of hte crew just walking in slo-mo for our "hero-shot"

Setup with a 12x12 silk

Chris, the director, hanging with me,the DIT. Waiting for footage to download.

DIT gets put in the corner.

Slow-motion on a dolly. Shooting at 700fps.

Our DP/camera operator extraordinary, Tom.

Stil downloading footage.

Video Village on the last day.

Producer (Patrick), DP (Tom), Director (Chris) review a shot.

Lot's of light in this room, about 10k total (you can only see about half of it in this shot.

Fearless C. Peck is doing the lighting/grip/

One again, notice the DIT in the corner?

Tom frames up a spaghetti bowl which is about to drop in 1470fps

Framing up some kids playing in the rain. (Sunny day, C.Peck rigged up a rain machine)

Video Village

The Y3HDiablo

Director, DP, Producer

(from L to R)
Christopher S Clark, Director. Tucker T Dansie, DIT, Post-Production Supervisor.
Patrick H Parker, Producer.
Christina Torriente-Robey, Hair, Make-up, Locations, Casting, Catering.
Tom Garner, DP/Camera Operator. Christopher Peck, Gaffer/Grip.

Coincidental this is the same slo-mo camera they shot 'The Hurt Locker' on. Check out this short clip from the Hurt Locker. Don't worry, there isn't anything inappropriate in it.

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